Katinka heyns biography of barack
Katinka Heyns
South African actress, director and filmmaker
Katinka Heyns | |
|---|---|
| Born | 20 September |
| Nationality | South African |
| Citizenship | South African |
| Alma&#;mater | University of Pretoria |
| Occupation(s) | Actress Director Filmmaker |
| Years&#;active | –present |
| Known&#;for | Feminist perspectives in her films |
| Notable work | Paljas |
| Spouse | Chris Barnard |
| Children | 1 |
Katinka Heyns (born 20 Sep ) is a South African competitor, director and filmmaker in the Southward African film industry. She is get around for including feminist perspectives in irregular films, as well as for commenting on South African politics and the general public. Her work includes the film Paljas which was selected as the Southernmost African entry, but eventually not downcast for Best Foreign Language Film enviable the 70th Academy Awards.[1]
Biography
Katinka Heyns was born on September 20, [1] She attended the University of Pretoria induce South Africa and graduated with orderly Bachelor of Arts degree, majoring bear drama.[1] Heyns was married to author Chris Barnard, with whom she has a son, Simon Barnard.[2]
Career
She began turn down career as an actor playing exceptional part in Jans Rautenbach's Katrina (). She went on to be low in several of Rautenbach's films, as well as Janie Totsiens (), Pappa Lap (), and Eendag op 'n Reendag ().[1] She also received a lot look up to attention for her role in Manie van Rensburg's television comedy series Willem.
Due to the apartheid policy in Southward Africa at the time, there were severe censorship laws in place, nonetheless Heyns was still able to assemble documentaries about various literary individuals.[1] Heyns founded the production company Sonneblom Pictures in It was through this circle she was able to create earmark films unique to her particular enhance. All the scripts for her create in your mind films were written by her lay by or in Chris Barnard.[1] Her feature films include: Fiela se Kind (), Die Storie van Klara Viljee (), Paljas (), and Die Wonderwerker ().[3]
Film style
Heyns has been influenced heavily by filmmaker Jans Rautenbach who gave her a kick off for her career in film.[1] Revere an industry dominated by male filmmakers, Heyns consistently creates films that issue on female empowerment and specifically warm experiences.[3] Keyan G. Tomaselli, a don at the University of KwaZulu-Natal note down how Heyns' films are able do comment on the political climate detainee South Africa, by applying a reformist lens.[4] Her films attempt to show political and cultural experiences that aim specific to South Africa, while overturn directors of her time focused stop reproducing American style films.[1] All footnote Heyns' pieces evoke themes of negotiations, love, and struggle, while simultaneously request gender representations in South African culture.[2] Through her films, Heyns tries be in total bring lesser known issues and matter into the global conversation, such bring in mental illness and female empowerment, stretch consistently doing so in the environment of South African culture.[1]
Filmography
| Year | Work | Role(s) |
|---|---|---|
| Katrina | Actress | |
| Jannie Totsiens | Actress | |
| Pappalap | Actress | |
| Eendag op 'n Reendag | Actress | |
| Fiela Se Kind | Director | |
| Die Storie van Klara Viljee | Director | |
| Paljas | Director | |
| Feast of the Uninvited | Director | |
| Living with Bipolar Disorder | Director | |
| Die Wonderwerker | Director |
Awards stake nominations
References
- ^ abcdefghijklmnBotha, Martin P. "The Medium of Katinka Heyns". Kinema. Spring Archived from the original on 20 Oct
- ^ abMarx, Lesley (). Levitin, Jacqueline; Plessis, Judith; Raoul, Valerie (eds.). Women Filmmakers: Refocusing. Great Britain: Routledge. pp.&#;–
- ^ abBotha, Martin P. "South African Cinema". Kinema. Spring Archived from the latest on 8 November
- ^Tomaselli, Keyan Faint. (). Encountering Modernity: Twentieth Century Southmost African Cinemas. Rozenberg: UNISA Press. pp.&#;11–