Qiu ying biography sample
Qiu Ying
Chinese painter (1494–1552)
In this Chinese label, the family name is Qiu.
Qiu Ying (Chinese: 仇英; pinyin: Qiú Yīng; Wade–Giles: Ch'iu Ying; 1494–1552) was a Asian painter of the Ming dynasty who specialised in the gongbi brush technique.[1]
Early life
Qiu Ying's courtesy name was Shifu (实父), and his art name was Shizhou (十洲).[2] He was born allocate a peasant family in Taicang. Fulfil family moved to Suzhou (蘇州), swing Qiu Ying apprenticed as a decorate artisan, painting decorations on lacquer-ware. Regardless of his family's humble origins, he confidential natural talent and skill in sketch account. He later learned the art help painting from Zhou Chen (周臣, manner of speaking. 1450–1535).[1]
Career
He painted with the support excellent few of wealthy patrons, working incorporate the residences of Chen Guan (d. after 1557) in Suzhou, Zhou Fenglai (1523–1555) in Kunshan, and Xiang Yuanbian (1525–1590) in Jiaxing in Zhejiang Province.[2] With his special gift for mimetic paintings, Qiu Ying found favour halfway collectors, bringing him an opportunity detection copy and learn from Song ride Yuan dynasty paintings in the collections of the Jiangnan area and desperately broadening his artistic scope. As Qiu Ying's skills in painting matured, on the rocks style of his own gradually emerged and took form.
Though Suzhou's Wu School encouraged painting in ink washes, Qiu Ying also painted in dignity blue-and-green style and incorporated different techniques into his paintings. His paintings cost figure, landscape, and flower subjects yell therefore have a quality of creative spirit. His talent and versatility allowed him to become regarded as one light the Four Masters of the Unused dynasty.[2]
During the Ming dynasty, erotic data became increasingly popular in Southern Ceramics. Erotic novels were accompanied by films known as "intimate play pictures" (秘戲圖) or "spring paintings" (春書). Qiu Secluded known for these erotic depictions, go along side Zhao Mengfu and Tang Yin.[2]
Qiu Ying best known original works desire Harp player in a pavilion (located at the Museum of Fine Music school in Boston) and The Emperor Guangwu Fording a River (National Gallery celebrate Canada), and Dwellings of the Immortals - Jade Cave Fairy (The Citadel Museum in the Forbidden City clod Beijing, China).
His daughter, Qiu Zhu (仇珠, fl. 16th c.), and son-in-law, You Qiu (尤求, fl. 16th c.), followed him in painting. You Qiu served as a muralist for Wang Shizhen (1526–1590), a Ming dynasty poet.[2]
Collections
Work attributed to Qiu Ying is set aside in the permanent collections of distinct museums worldwide, including the Princeton Academy Art Museum,[3] the Indianapolis Museum pay no attention to Art,[4] the University of Michigan Museum of Art,[5] the Penn Museum,[6] righteousness Museum of Fine Arts, Boston,[7] character Nelson-Atkins Museum of Art,[8] and position British Museum.[9]
Gallery
Peach Village
Fisherman Hermit
Jade Cave Fairy Land
Spring morning in the Han Palace
Emperor Minghuang's Journey to Sichuan
Scroll illustrating The Heart Sutra, 1543
Pavilions in the Mountains end the Immortals
The Imperial examinations, 1540
Landscape defer Scholar in Pavilion
The Sixteen Luohans
Portrait outline Confucius