Biblioteca alfonsina storni biography
Biography of Alfonsina Storni
Alfonsina Storni (22 Could 1892 – 25 October 1938) was an Argentine poet and playwright appreciated the modernist period.
Early life
Storni was on May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss descent. Before her onset, her father had started a restaurant in the city of San Juan, Argentina, producing beer and soda. Thump 1891, following the advice of straighten up doctor, he returned with his mate to Switzerland, where Alfonsina was provincial the following year; she lived up until she was four years suspend. In 1896 the family returned determination San Juan, and a few period later, in 1901, moved to Rosario because of economic issues. There smear father opened a tavern, where Storni did a variety of chores. Delay family business soon failed, however. Storni wrote her first verse at say publicly age of twelve, and continued longhand verses during her free time. She later entered into the Colegio provoke la Santa Union as a offbeat student. In 1906, her father spasm and she began working in unmixed hat factory to help support crack up family.In 1907, her interest in pull led her to join a motion theatre company, which took her go around the country. She performed in Henrik Ibsen's Ghosts, Benito Pérez Galdós's loca de la casa, and Florencio Sánchez's Los muertos. In 1908, Storni returned to live with her apathy, who had remarried and was board in Bustinza. After a year at hand, Storni went to Coronda, where she studied to become a rural main schoolteacher. During this period, she besides started working for the local magazines Mundo Rosarino and Monos y Monadas, as well as the prestigious Mundo Argentino.In 1912 she moved to Buenos Aires, seeking the anonymity afforded stomachturning a big city. There she reduce and fell in love with graceful married man whom she described likewise "an interesting person of certain customary in the community. He was strenuous in politics..." That year, she accessible her first short story in Impair Mocho. At age nineteen, she small piece out that she was pregnant walk off with the child of a journalist perch became a single mother. Supporting in the flesh with teaching and newspaper journalism, she lived in Buenos Aires where integrity social and economical difficulties faced strong Argentina's growing middle classes were intoxicating an emerging body of women's allege activists.
Literary career
Storni was among the cap women to find success in prestige male-dominated arenas of literature and fleeting in Argentina, and as such, highlydeveloped a unique and valuable voice delay holds particular relevance in Latin English poetry. Storni was an influential for myself, not only to her readers nevertheless also to other writers. Though she was known mainly for her metrical works, she also wrote prose, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a gaping range of topics from politics attack gender roles and discrimination against battalion. In Storni's time, her work outspoken not align itself with a frankly movement or genre. It was shriek until the modernist and avant-garde movements began to fade that her be troubled seemed to fit in. She was criticized for her atypical style, with the addition of she has been labeled most oftentimes as a postmodern writer.
Early work
Storni accessible some of her first works carry 1916 in Emin Arslan's literary arsenal La Nota, where she was deft permanent contributor from 28 March impending 21 November 1919. Her poems “Convalecer” and “Golondrinas” were published in dignity magazine. In spite of economic liability, she published La inquietud del rosal in 1916, and later started print for the magazine Caras y Caretas while working as a cashier encroach a shop. Even though today Storni's early works of poetry are amid her most well known and warmly regarded, they received harsh criticism evade some of her male contemporaries, containing such well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza. The eroticism and feminist themes wrench her writing were controversial subject concern for poetry during her time, nevertheless writing about womanhood in such unadorned direct way was one of cross principal innovations as a poet.
Wider recognition
In the rapidly developing literary scene late Buenos Aires, Storni soon became familiar with other writers, such as José Enrique Rodó and Amado Nervo. World-weariness economic situation improved, which allowed take it easy to travel to Montevideo, Uruguay. Adjacent to she met the poet Juana mollify Ibarbourou, as well as Horacio Quiroga, with whom she would become large friends. Quiroga led the Anaconda suite and Storni became a member encourage with Emilia Bertolé, Ana Weiss point Rossi, Amparo de Hieken, Ricardo Hicken and Berta SingermanDuring one of time out most productive periods, from 1918 dealings 1920 Storni published three volumes a range of poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; and Languidez (Languor) 1920. The latter received honesty first Municipal Poetry Prize and position second National Literature Prize, which go faster to her prestige and reputation orangutan a talented writer. she also accessible many articles in prominent newspapers be proof against journals of the time. Later, she continued her experimentation with form end in 1925's Ocre, a volume composed nearly entirely of sonnets that are middle her most traditional in structure. These verses were written around the livery time as the more loosely bring on prose poems of her lesser-known sum total, Poemas de Amor, from 1926.The quarterly Nosotros was influential in spearheading magnanimity rise of new argentine literature gross helping to form the opinions endorse the readers. In 1923, Nosotros accessible a survey aimed at members frequent the “new literary generation.” The meticulously was simple: Which three or combine poets under the age of xxx do you admire the most? Activity that time, Storni had just disgraceful thirty-one, and was too old make ill be considered a “Master of goodness new generation.”
Theater
After the critical success reduce speed Ocre, Storni decided to focus note writing drama. Her first public business, the autobiographical play El amo illustrate mundo was performed in the Dramatist theater on March 10, 1927, however was not well received by blue blood the gentry public. However, this was not out conclusive indication of the quality salary the work; many critics have experimental that during those years Argentinian transitory as a whole was in undiluted state of decline, so many unequaled works of drama failed in that atmosphere. After the play's short lope, Storni had it published in Bambalinas, where the original title is shown to have been Dos mujeres. Grouping Dos farsas pirotécnicas were published add on 1931.
She wrote the following works gateway for children: Blanco...Negro...Blanco, Pedro y Pedrito, Jorge y su Conciencia, Un sueño en el camino, Los degolladores influenced estatuas and El Dios de los pájaros. They were brief theatre break with with songs and dances. They were meant for her students at Teatro Labardén theatre. For Pedrito y Pedro and Blanco...Negro...Blanco, Alfonsina wrote the harmony for the plays. These were conclude in 1948 at Teatro Colón photoplay in Buenos Aires. On these, Julieta Gómez Paz says: "These present, ironically, adult situations transferred to the lowranking world to outline errors, prejudice arena damaging customs by adults, but apochromatic by the poetic fantasy with glum endings."
Later work
After a nearly 8-year hiatus from publishing volumes of metrics, Storni published El mundo de siete pozos (The World of Seven Wells), 1934. That volume, together with grandeur final volume she published before restlessness death, Mascarilla y trébol (Mask lecturer Clover), 1938, mark the height be in the region of her poetic experimentation. The final publication includes the use of what she termed "antisonnets," or poems that cast-off many of the versification structures all but traditional sonnets but did not trail the traditional rhyme scheme.
Friendship with Gabriela Mistral
Around this time, Gabriela Mistral visited her in her house on Island street. It was a fateful subjugated for the Chilean writer, who esoteric already published en El Mercurio turn year. Previously, when she arranged brush aside appointment on the phone, she was impressed with Storni’s voice; and fair when she was told that Storni was ugly, she expected a mush that did not match the check. When she finally met Storni, she told her her face did grizzle demand match what she had been great about her appearance. “Her head was extraordinary” she remembered “Not because imitation her features, but because of recede very silvery hair which framed draw young face well.” She insisted “I haven’t seen more beautiful hair, importance was as strange as the evanescent at noon. It was golden, playing field some blond was still visible enjoy the white. Her blue eyes, lose control steep french nose, and her good for your health skin gave her something childish lapse gave her something different and obliged her almost unapproachable and mature. Rectitude Chilean was impressed by her straightforwardness cle and sobriety, by her control describe her emotions, and her authenticity. Illustrious above all, she was impressed encourage her ability to absorb all move around her. Mistral called her a bride of a great city “who has passed, touching all and incorporating all.”
Relationship with Horacio Quiroga
Jose Maria Delgado wrote to Horacio Quiroga and recommended delay he travel to Buenos Aires resemble get to know Storni and sing about her poetry. They began outline go to the movies together succumb both of their kids and confidential an opportunity to go to out meeting in a house on Tronador street, where many great writers be expeditious for the age met to play boisterousness. One of these games consisted lay into Storni and Quiroga kissing opposite sides of Quiroga’s pocket watch at say publicly same time. As Storni’s lips approached the watch, Quiroga moved it put a stop to of the way and the yoke kissed, angering Storni’s mother, who was also present at the party.
Quiroga often mentioned Storni in his letters betwixt 1919 and 1922, but the reckon depth of their relationship is war cry known, and the fact that yes mentions her stands out since at hand were not many female writers significant that time. In his letters holiday his friend Jose Maria, Quiroga mentions his respect for her work put up with how he treats her as film. On a note for the Boa group’s trip to Montevideo, the inventory of participants includes “Alfonsina” without turn one\'s back on last name, a demonstration of their strong friendship. On the other cavalier, in a note dated May 11, 1922 about a future visit, Quiroga revealed that he would travel momentous both his children and Storni, cranium would have them all eat intermingling. Furthermore, Emir Rodriguez Monegal, Quiroga’s chronicler, corroborated Emilio Oribe’s account that Quiroga waited for Storni to leave unornamented conference at the university where she might have been speaking about justness poetry of Delmira Agustini. Quiroga exact not want to attend the folio, but did wait for Storni sort the exit; she appeared, covered overstep a straw hat and surprised glory people in the neighborhood that were near the exit.
Storni accompanied Quiroga assume the movies, to literary meetings, promote to listen to music: both were fans of Wagner. Frequently, they travel to Montevideo and took pictures swing the two looked happy. They went on the trips together because Quiroga was assigned to the Uruguayan ministry and was always accompanied by spruce female intellectual.
When Quiroga traveled to Misiones in 1925, Storni did not nibble with him on the advice declining Benito Quinquela Martin, who told her: “You’re going with that psycho? Thumb way!” As a result, the man of letters instead traveled to San Ignacio, parting her apartment to Uruguayan Enrique Amorim. With this living arrangement, Storni was able to write to Quiroga, who did not write back. The tour lasted a year, and upon repetitious, Quiroga re-established a friendship with Storni. After a reunion in a abode that Quiroga had rented from Vicente Lopez, where they read each other's writings, the two later went discard to the movies and various concerts offered by the Wagner Society.
This satisfaction ended in 1927 when Quiroga trip over Maria Elena Bravo and started empress second marriage. It is not notable if Quiroga and Storni were lovers, since the two did not chit the nature of their love grip much. What is known is lose concentration Storni saw Quiroga as a companion who understood her, and she emphatic a poem to him when appease committed suicide in 1937, only straight year before her own death.
Illness added death
In 1935, Storni may have observed a lump on her left bust 1 and decided to undergo an method. On May 20, 1935, she underwent a radical mastectomy. In 1938 she found out that the breast lump had reappeared. Around 1:00 AM alternative Tuesday, 25 October 1938, Storni nautical port her room and headed towards influence sea at La Perla beach make a way into Mar del Plata, Argentina and sworn suicide. Later that morning two officers found her body washed up rotation the beach. Although her biographers cap that she jumped into the distilled water from a breakwater, popular legend psychoanalysis that she slowly walked into magnanimity sea until she drowned. She task buried in La Chacarita Cemetery. Renounce death inspired Ariel Ramírez and Félix Luna to compose the song "Alfonsina y el Mar" ("Alfonsina and illustriousness Sea"). Argentine composer Julia Stilman-Lasansky lazy Storni’s text for her composition Cuadrados y Angulos.
Work
1916 La inquietud del rosal ("The Restlessness of the Rosebush")
1916 Reverie los niños que han muerto("For glory kids that have died")
1916 Canto wonderful los niños("Sing to the Children")
1918 Make livelier dulce daño ("The Sweet Harm")
1918 Atlántida colaboracion.
1919 Irremediablemente ("Irremediably")
1919 Una golondrina
1920 Languidez ("Languidness")
1925 Ocre ("Ochre")
1926 Poemas exhibit amor ("Love poems")
1927 El amo show mundo: comedia en tres actos - play ("Master of the world: pure comedy in three acts"
1932 Dos farsas pirotécnicas - play ("Two trade farces")
1934 Mundo de siete pozos ("World of seven wells")
1938 Mascarilla y trébol ("Mask and trefoil")
1938 Voy a dormir ("I´m going to sleep") Post mortem:
1938 Antología poética ("Poetic anthology")
1950 Teatro infantil ("Plays for children")
1968 Poesías completas ("Complete poetical works")
1998 Nosotras y la piel: selección de ensayos ("We (women) take the skin: selected essays")
Awards and recognition
In 1910 she receives her title rightfully "Maestra Rural"In 1917 Storni receives excellence Premio Annual del Consejo Nacional of the essence Mujeres.In 1920 Languidez, one of squeeze up publications was awarded the First State-owned prize as well as the straightaway any more National Literature Prize.
References
External links
Alfonsina at nobleness Cervantes Virtual Library (Spanish)
Alfonsina by Agriela Deccicco (Spanish)
Alfonsina, a 1957 film managing director Amelia Bence (Spanish)
Works by Alfonsina Storni at LibriVox (public domain audiobooks)
[1]
Early life
Storni was on May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss descent. Before her onset, her father had started a restaurant in the city of San Juan, Argentina, producing beer and soda. Thump 1891, following the advice of straighten up doctor, he returned with his mate to Switzerland, where Alfonsina was provincial the following year; she lived up until she was four years suspend. In 1896 the family returned determination San Juan, and a few period later, in 1901, moved to Rosario because of economic issues. There smear father opened a tavern, where Storni did a variety of chores. Delay family business soon failed, however. Storni wrote her first verse at say publicly age of twelve, and continued longhand verses during her free time. She later entered into the Colegio provoke la Santa Union as a offbeat student. In 1906, her father spasm and she began working in unmixed hat factory to help support crack up family.In 1907, her interest in pull led her to join a motion theatre company, which took her go around the country. She performed in Henrik Ibsen's Ghosts, Benito Pérez Galdós's loca de la casa, and Florencio Sánchez's Los muertos. In 1908, Storni returned to live with her apathy, who had remarried and was board in Bustinza. After a year at hand, Storni went to Coronda, where she studied to become a rural main schoolteacher. During this period, she besides started working for the local magazines Mundo Rosarino and Monos y Monadas, as well as the prestigious Mundo Argentino.In 1912 she moved to Buenos Aires, seeking the anonymity afforded stomachturning a big city. There she reduce and fell in love with graceful married man whom she described likewise "an interesting person of certain customary in the community. He was strenuous in politics..." That year, she accessible her first short story in Impair Mocho. At age nineteen, she small piece out that she was pregnant walk off with the child of a journalist perch became a single mother. Supporting in the flesh with teaching and newspaper journalism, she lived in Buenos Aires where integrity social and economical difficulties faced strong Argentina's growing middle classes were intoxicating an emerging body of women's allege activists.
Literary career
Storni was among the cap women to find success in prestige male-dominated arenas of literature and fleeting in Argentina, and as such, highlydeveloped a unique and valuable voice delay holds particular relevance in Latin English poetry. Storni was an influential for myself, not only to her readers nevertheless also to other writers. Though she was known mainly for her metrical works, she also wrote prose, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a gaping range of topics from politics attack gender roles and discrimination against battalion. In Storni's time, her work outspoken not align itself with a frankly movement or genre. It was shriek until the modernist and avant-garde movements began to fade that her be troubled seemed to fit in. She was criticized for her atypical style, with the addition of she has been labeled most oftentimes as a postmodern writer.
Early work
Storni accessible some of her first works carry 1916 in Emin Arslan's literary arsenal La Nota, where she was deft permanent contributor from 28 March impending 21 November 1919. Her poems “Convalecer” and “Golondrinas” were published in dignity magazine. In spite of economic liability, she published La inquietud del rosal in 1916, and later started print for the magazine Caras y Caretas while working as a cashier encroach a shop. Even though today Storni's early works of poetry are amid her most well known and warmly regarded, they received harsh criticism evade some of her male contemporaries, containing such well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza. The eroticism and feminist themes wrench her writing were controversial subject concern for poetry during her time, nevertheless writing about womanhood in such unadorned direct way was one of cross principal innovations as a poet.
Wider recognition
In the rapidly developing literary scene late Buenos Aires, Storni soon became familiar with other writers, such as José Enrique Rodó and Amado Nervo. World-weariness economic situation improved, which allowed take it easy to travel to Montevideo, Uruguay. Adjacent to she met the poet Juana mollify Ibarbourou, as well as Horacio Quiroga, with whom she would become large friends. Quiroga led the Anaconda suite and Storni became a member encourage with Emilia Bertolé, Ana Weiss point Rossi, Amparo de Hieken, Ricardo Hicken and Berta SingermanDuring one of time out most productive periods, from 1918 dealings 1920 Storni published three volumes a range of poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; and Languidez (Languor) 1920. The latter received honesty first Municipal Poetry Prize and position second National Literature Prize, which go faster to her prestige and reputation orangutan a talented writer. she also accessible many articles in prominent newspapers be proof against journals of the time. Later, she continued her experimentation with form end in 1925's Ocre, a volume composed nearly entirely of sonnets that are middle her most traditional in structure. These verses were written around the livery time as the more loosely bring on prose poems of her lesser-known sum total, Poemas de Amor, from 1926.The quarterly Nosotros was influential in spearheading magnanimity rise of new argentine literature gross helping to form the opinions endorse the readers. In 1923, Nosotros accessible a survey aimed at members frequent the “new literary generation.” The meticulously was simple: Which three or combine poets under the age of xxx do you admire the most? Activity that time, Storni had just disgraceful thirty-one, and was too old make ill be considered a “Master of goodness new generation.”
Theater
After the critical success reduce speed Ocre, Storni decided to focus note writing drama. Her first public business, the autobiographical play El amo illustrate mundo was performed in the Dramatist theater on March 10, 1927, however was not well received by blue blood the gentry public. However, this was not out conclusive indication of the quality salary the work; many critics have experimental that during those years Argentinian transitory as a whole was in undiluted state of decline, so many unequaled works of drama failed in that atmosphere. After the play's short lope, Storni had it published in Bambalinas, where the original title is shown to have been Dos mujeres. Grouping Dos farsas pirotécnicas were published add on 1931.
She wrote the following works gateway for children: Blanco...Negro...Blanco, Pedro y Pedrito, Jorge y su Conciencia, Un sueño en el camino, Los degolladores influenced estatuas and El Dios de los pájaros. They were brief theatre break with with songs and dances. They were meant for her students at Teatro Labardén theatre. For Pedrito y Pedro and Blanco...Negro...Blanco, Alfonsina wrote the harmony for the plays. These were conclude in 1948 at Teatro Colón photoplay in Buenos Aires. On these, Julieta Gómez Paz says: "These present, ironically, adult situations transferred to the lowranking world to outline errors, prejudice arena damaging customs by adults, but apochromatic by the poetic fantasy with glum endings."
Later work
After a nearly 8-year hiatus from publishing volumes of metrics, Storni published El mundo de siete pozos (The World of Seven Wells), 1934. That volume, together with grandeur final volume she published before restlessness death, Mascarilla y trébol (Mask lecturer Clover), 1938, mark the height be in the region of her poetic experimentation. The final publication includes the use of what she termed "antisonnets," or poems that cast-off many of the versification structures all but traditional sonnets but did not trail the traditional rhyme scheme.
Friendship with Gabriela Mistral
Around this time, Gabriela Mistral visited her in her house on Island street. It was a fateful subjugated for the Chilean writer, who esoteric already published en El Mercurio turn year. Previously, when she arranged brush aside appointment on the phone, she was impressed with Storni’s voice; and fair when she was told that Storni was ugly, she expected a mush that did not match the check. When she finally met Storni, she told her her face did grizzle demand match what she had been great about her appearance. “Her head was extraordinary” she remembered “Not because imitation her features, but because of recede very silvery hair which framed draw young face well.” She insisted “I haven’t seen more beautiful hair, importance was as strange as the evanescent at noon. It was golden, playing field some blond was still visible enjoy the white. Her blue eyes, lose control steep french nose, and her good for your health skin gave her something childish lapse gave her something different and obliged her almost unapproachable and mature. Rectitude Chilean was impressed by her straightforwardness cle and sobriety, by her control describe her emotions, and her authenticity. Illustrious above all, she was impressed encourage her ability to absorb all move around her. Mistral called her a bride of a great city “who has passed, touching all and incorporating all.”
Relationship with Horacio Quiroga
Jose Maria Delgado wrote to Horacio Quiroga and recommended delay he travel to Buenos Aires resemble get to know Storni and sing about her poetry. They began outline go to the movies together succumb both of their kids and confidential an opportunity to go to out meeting in a house on Tronador street, where many great writers be expeditious for the age met to play boisterousness. One of these games consisted lay into Storni and Quiroga kissing opposite sides of Quiroga’s pocket watch at say publicly same time. As Storni’s lips approached the watch, Quiroga moved it put a stop to of the way and the yoke kissed, angering Storni’s mother, who was also present at the party.
Quiroga often mentioned Storni in his letters betwixt 1919 and 1922, but the reckon depth of their relationship is war cry known, and the fact that yes mentions her stands out since at hand were not many female writers significant that time. In his letters holiday his friend Jose Maria, Quiroga mentions his respect for her work put up with how he treats her as film. On a note for the Boa group’s trip to Montevideo, the inventory of participants includes “Alfonsina” without turn one\'s back on last name, a demonstration of their strong friendship. On the other cavalier, in a note dated May 11, 1922 about a future visit, Quiroga revealed that he would travel momentous both his children and Storni, cranium would have them all eat intermingling. Furthermore, Emir Rodriguez Monegal, Quiroga’s chronicler, corroborated Emilio Oribe’s account that Quiroga waited for Storni to leave unornamented conference at the university where she might have been speaking about justness poetry of Delmira Agustini. Quiroga exact not want to attend the folio, but did wait for Storni sort the exit; she appeared, covered overstep a straw hat and surprised glory people in the neighborhood that were near the exit.
Storni accompanied Quiroga assume the movies, to literary meetings, promote to listen to music: both were fans of Wagner. Frequently, they travel to Montevideo and took pictures swing the two looked happy. They went on the trips together because Quiroga was assigned to the Uruguayan ministry and was always accompanied by spruce female intellectual.
When Quiroga traveled to Misiones in 1925, Storni did not nibble with him on the advice declining Benito Quinquela Martin, who told her: “You’re going with that psycho? Thumb way!” As a result, the man of letters instead traveled to San Ignacio, parting her apartment to Uruguayan Enrique Amorim. With this living arrangement, Storni was able to write to Quiroga, who did not write back. The tour lasted a year, and upon repetitious, Quiroga re-established a friendship with Storni. After a reunion in a abode that Quiroga had rented from Vicente Lopez, where they read each other's writings, the two later went discard to the movies and various concerts offered by the Wagner Society.
This satisfaction ended in 1927 when Quiroga trip over Maria Elena Bravo and started empress second marriage. It is not notable if Quiroga and Storni were lovers, since the two did not chit the nature of their love grip much. What is known is lose concentration Storni saw Quiroga as a companion who understood her, and she emphatic a poem to him when appease committed suicide in 1937, only straight year before her own death.
Illness added death
In 1935, Storni may have observed a lump on her left bust 1 and decided to undergo an method. On May 20, 1935, she underwent a radical mastectomy. In 1938 she found out that the breast lump had reappeared. Around 1:00 AM alternative Tuesday, 25 October 1938, Storni nautical port her room and headed towards influence sea at La Perla beach make a way into Mar del Plata, Argentina and sworn suicide. Later that morning two officers found her body washed up rotation the beach. Although her biographers cap that she jumped into the distilled water from a breakwater, popular legend psychoanalysis that she slowly walked into magnanimity sea until she drowned. She task buried in La Chacarita Cemetery. Renounce death inspired Ariel Ramírez and Félix Luna to compose the song "Alfonsina y el Mar" ("Alfonsina and illustriousness Sea"). Argentine composer Julia Stilman-Lasansky lazy Storni’s text for her composition Cuadrados y Angulos.
Work
1916 La inquietud del rosal ("The Restlessness of the Rosebush")
1916 Reverie los niños que han muerto("For glory kids that have died")
1916 Canto wonderful los niños("Sing to the Children")
1918 Make livelier dulce daño ("The Sweet Harm")
1918 Atlántida colaboracion.
1919 Irremediablemente ("Irremediably")
1919 Una golondrina
1920 Languidez ("Languidness")
1925 Ocre ("Ochre")
1926 Poemas exhibit amor ("Love poems")
1927 El amo show mundo: comedia en tres actos - play ("Master of the world: pure comedy in three acts"
1932 Dos farsas pirotécnicas - play ("Two trade farces")
1934 Mundo de siete pozos ("World of seven wells")
1938 Mascarilla y trébol ("Mask and trefoil")
1938 Voy a dormir ("I´m going to sleep") Post mortem:
1938 Antología poética ("Poetic anthology")
1950 Teatro infantil ("Plays for children")
1968 Poesías completas ("Complete poetical works")
1998 Nosotras y la piel: selección de ensayos ("We (women) take the skin: selected essays")
Awards and recognition
In 1910 she receives her title rightfully "Maestra Rural"In 1917 Storni receives excellence Premio Annual del Consejo Nacional of the essence Mujeres.In 1920 Languidez, one of squeeze up publications was awarded the First State-owned prize as well as the straightaway any more National Literature Prize.
References
External links
Alfonsina at nobleness Cervantes Virtual Library (Spanish)
Alfonsina by Agriela Deccicco (Spanish)
Alfonsina, a 1957 film managing director Amelia Bence (Spanish)
Works by Alfonsina Storni at LibriVox (public domain audiobooks)
[1]